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Saturday, September 15, 2018

ULTHA


ULTHA's new album "The Inextricable Wandering" will be out on 5 October 2018!

Band              : ULTHA

Genre            : Atmospheric Black Metal
Album           : The Inextricable Wandering
Label             : Century Media Records

Ultha premiere a new song entitled "The Avarist (Eyes Of A Tragedy)", taken from their upcoming new album "The Inextricable Wandering".


More Info:

ULTHA are:

Ralph Schmidt – Guitars/Vocals
Andy Rosczyk – Electronics
Manuel Schaub – Drums
Chris Noir – Bass/Vocals

ULTHA online:

templeofultha.com
www.facebook.com/templeofultha
www.instagram.com/ultha_youexistfornothing



Friday, September 14, 2018

THE SPIRIT INTERVIEW


The Spirit


September 2018

German blackened death metallers The Spirit evokes the demons of Dissection with their unique passionate songwriting... Gothenburg melodies surrounded by frostbitten black metal feeling!


The Spirit has released its first full length Sounds from the Vortex. How are the reactions from media, fans?
The response is positive or very positive. It’s similar to when we released the album by ourselves last year, but in a much bigger scale now.

At which festivals/concerts did you play live until now? How were the shows? Which one remained in your memory most?
I can remember all of them very well, because we only played 6 shows since we founded the band. But the show at Party San Open Air in Germany last summer was something very special. The Tent Stage was totally packed with people who came to witness our show and we were blown away by the great response wo got from the crowd.

You will have autumn tour with Kataklysm and Hypocrisy also. What should the audience expect from your shows?
We will unleash hell every night when we go on stage. Energy and emotions transformed into dark music, that´s what the people can expect.

Full ImageSounds from the Vortex is rereleased from Nuclear Blast. How did it happen? How did your ways cross with Nuclear Blast?
When we finished the recordings for the album in 2017, we sent the final master to several labels, but not a single one was interested. So we founded our own label Eternal Echoes and  decided to release ‘Sounds From The Vortex’ through it in October 2017. With the album we could create some first noise in the underground and caught the attention of Nuclear Blast. They got in contact with us and that’s how it all started.

The name of the band is simple but evokes some secret; for me it sounds like the black metal spirit, allusion the foremost darkness. What do you think?
The name just suits the band and the music. When you listen to our songs you notice that it fits together just perfectly. In addition, it’s always better to have a name that you can remember easily and that is not too complicated.

Your music have Dissection influences, black metal-infused extreme metal with yet unique, stellar guitar tones and faster, blasphemous and icy melodic. How do you see your musical evolution; more into blackened death metal style or do you prefer to be named as a black metal band in the end? What does black metal mean to you?
I don’t care if it’s black or death or whatever. I prefer to be labelled as ‘metal’, It’s about the music and I don’t sit down during songwriting, thinking ‘Now I need to add a black metal or a death metal riff’, it’s just the music that comes out.

Aside from music-wise, do you share the same ideological approach with Dissection also which is called Misanthropic Luciferian Order now changed name to Temple of the Black light?
The Spirit is all about dark music and the personal ideology of the members is not the right topic for an interview.

What are your influences for The Spirit?
Life itself gives more than enough inspiration for THE SPIRIT. Of course, in our case it´s more the dark and negative parts of life. Apart from that, we are obviously influenced by the Scandinavian black and death metal scene of the 90s.

What about literature, are there any influences into your music? Do you have any opus, favorite authors?
Not really. The last book I recently finished was ‘The Little Prince’ (Antoine de Saint-Exupéry), but this is obviously not a book that had any influence on The Spirit, haha.

As you are a German band, I would like to ask you a special term called Weltschmerz … I’m wondering what it means for you. Do you relate art with Weltschmerz or if art is born of suffering? What are the essential constituents of your music?
I think it needs emotions to create good music. It can be Weltschmerz or pain or hate or any other strong or negative emotion – as well as positive emotions. But emotions should always be involved while creating music or art in general, I think.

What are the lyrics about?
I don´t really like to explain or talk about the lyrics. If you´re interested in the lyrical side of The Spirit, you should discover it by yourself and come up with your own thoughts, that´s much more interesting. It´s like with a book and a movie. When you read a book you use your imagionation to create pictures in your mind. When you watch the movie, you just see the imagination from someone else.

Can you write your favorite verse from the album?
It’s like with the songs, I don’t have a favourite song or favourite riff. Everything I did for this album was created in the best possible way at that time, so there isn’t a favourite line, it’s the whole album that matters to me.

Who did the cover art and what did you want to reflect?
The artwork from the first release was von Rebecca Wæik and the artwork for the Nuclear Blast rerelease came from Costin Chioreanu. Obviously it reflects the album title, “Sounds From The Vortex”.

What are the foremost albums of 2018 according to you? It could be metal or any genres you are into…
I just heard a few albums from 2018 so far and unfortunately not a single one could satisfy me. So I give you my top 3 from 2017 instead.
King Gizzard & The Lizard Wizard – Murder Of The Universe
Hällas - Excerpts From A Future Past
Wobbler - From Silence To Somewhere

Could you please share your 3 favorite black metal albums of all the time?
Emperor – Anthems to the Welkin at Dusk
Mayhem – De Mysteriis Dom Sathanas
Dissection – The Somberlain

Following the autumn tour with Kataklysm and Hypocrisy, what plans do you have next for The Spirit?
There will definitely be more single shows and more tours, but we will put our focus on the songwriting for the follow-up to our debut album. Songwriting for THE SPIRIT takes a lot of time. We know, that we set the bar high with our debut album, so we take all the time we need to create a worthy successor.

Please share your last words, wishes…
Thanks for the interview and the interest in THE SPIRIT.





More info:

www.facebook.com/thespiritband
www.nuclearblast.de/thespirit
thespirit.bigcartel.com

VREID




VREID's new album "Lifehunger" will be out on 28 September 2018!

Band              : VREID
Genre            : Melodic Black Metal
Album           : Lifehunger
Label             : Seasons of Mist



Vreid premiere a new song entitled "One Hundred Years", taken from their upcoming new album "Lifehunger".



More Info:

VREID are:
Hváll  - Bass 
Steingrim Drums
Sture Dingsøyr Vocals, Guitars 
Strom Guitars 

VREID online:

Wednesday, September 12, 2018

KARG



KARG's new album "Dornenvögel" will be out on 16 November 2018!

Band              : KARG
Genre            : Ambient Black Metal
Album           : Dornenvögel
Label             : Art of Propaganda



Karg premiere a new song entitled "Petrichor", taken from their upcoming new album "Dornenvögel".


More Info:

KARG is:

V. Wahntraum

KARG online:

https://karg.bandcamp.com/
https://www.facebook.com/kargband/

Karg Interview by 2017




Tuesday, September 11, 2018

DEHN SORA



Treha Sektori album cover "Endessiah"
by Dehn Sora.

"to let go everything"

Sunday, April 1, 2018

KHAOS-DEI INTERVIEW

Image result for KHAOS-DEI logo



April, 2018

Black metal with eerie passages with mystical atmosphere and orchestral embellishments from the enchanting French shore where one can experience outstanding Bordeaux wine and eternal beauty Lacanau… This is Khaos-Dei. They have released Opus II: Catechism album from Osmose Productions at the end of 2016. There has always been many things to talk with these charismatic guys Patrick and Fabrice, on the same time one of the influential musicians of dark arts…

Hello, how are the things going on for the band lately?
Patrick: Pretty good, we released CATECHISM and for the moment all is well. It is the continuity of our first album, based on our evolution. We are obviously proud of all this but it is part of a natural approach. It is always the result of the work done for a time but it is only a stage in our personal evolution towards the light of the one who dazzles us. We will continue to work, we cannot tell you everything but we are still in a boil. We are united by the belief that KHAOS-DEI is the reason we had to meet. You cannot miss out on that.

Latest album Opus II: Catechism is released on December 2016. I am very fond of “Tell Them Lucifer Is Her”e album but “Opus II” made me to experience the Luciferian light while dragging through eerie passages with its mystical atmosphere and orchestral embellishments. How do you define your experiences in psychological and musical sense for “Opus II: Catechism”?
P: KHAOS-DEI is a continuation of life and indeed “catechism” once again consolidates the foundations of our foundations. We erect our temple as a philosopher would enrich its culture. Step by step. It is not a particular part that we build but a life of personal enrichment. In the end our music is almost secondary. We use its vibrations to get our message across. KHAOS-DEI lives daily, from the inside is what we call our black art. We are obliged to build the temple of our knowledge and not to look too much at what it is doing around us.

Please tell us the composition process of “Opus II: Catechism” album. What were your influences? How did those songs come to light?
P: From our lives. We do this naturally, KHAOS-DEI is not an inspired farce. Musically old black metal bands and spiritually we draw our knowledge in the theory of chaos we apply to our own lives. Catechism is the natural evolution of our first album. We are locked in our temple, where everything happens. We could write a book of all this but we decided to make it simply musical vibrations largely surrounded by texts. It is necessary to know that the words are rather complex in the symbolic. “The child of the Devil” speaks mainly of the general atmosphere of the moment and how we are there, our birth. Although it is very personal and codified, each member of the band can easily identify. This is the kind of lyrics I wanted to write for a while and that I suggested to the other members. I wanted to take stock of the past, speak present and especially the future. “The nucleus of Chaos” allows to return directly in a much more black metal atmosphere. We speak of awakening of black flame. “Where you fall” tells how we must serve, always in a spiritual way. Under the black banner can be legitimized by a parallel we create between war and our faith. It is somewhat the principle of all religions… more or less asserted. “An entire army”, one is typically in the absolute, the ritual, the end of the mass, ecstasy. The last couplet is purely ingrained in deep faith.


Image result for KHAOS-DEI logo
You used many orchestral works for Opus II album between songs. Especially “Là où les mots ne parlent plus” is an enchanting track. Which orchestra did you work with? How is their reaction to Khaos-Dei music?
P: It was in November 2014 before the release of our first album. Here again we were in the continuity of the musical composition, the construction of KHAOS-DEI. I imagined this music in several parts. It is Fabrice who brought the idea to add classical instrumentations. I did not agree, we discussed it a lot and finally all agreed. Our friend Johann Soustrot is the first violin of the Malmö Symphony Orchestra in Sweden. We offered him a base of classical music. In the end, he played the violins entirely. It was a total success, we were satisfied. The album could not be finished better.

F: It was a challenge without falling into caricature. Our keyboardist has composed everything and the idea has come to include a violinist friend who lives in Sweden. It stuck right away and as Patrick says, we are surprised the good returns of this track.

For me, “Une Armee Entiere” song sounds like coming from Pandemonium…
P: There’s no different vocal style. I always sing as I wish or feel at the moment.

F: Pandemonium? Very good choice, yes for my part I think it’s a good comparison, this song IS “the capital”… You understood everything.

What are the plans for Khaos-Dei. You had a tour with Mayhem, so, any other live shows? Videos? Albums in the near future?
P: We continue to work and we cannot communicate on it at this time. There are things foreseen but until the last moment everything can tilt. Not because of KHAOS-DEI but again and as I say very regularly … some people who say they are reliable turn out to be a little less when it comes to making things happen.

F: We just saw it… without going into details … I think KD is a cursed band in a way but it suits us. We learn every day, the more we are disappointed the more we advance!

Tell us more about album cover. What kind of impact do you want to create by this?
P: All religions will be led to take up arms one day or another. We have proof of this lately. All extremists have inevitably gone through the learning of their religion, the construction of their temple. We laid the foundations of the building with our first album and we are now in the total development of all this. The message is simple… We will all be led to take up arms. Just choose your camp and the right time. Ours is obvious. Our battle is sacred, our gods are sacred. Everything is in the album.

How is the black metal scene in France lately?
P: We have very little relationship with the other metal bands. We make a music that bears the label of “metal” but it stops there.

F: The French scene is doing well, very well! We have some contacts with certain groups or some members, references of the style also that I will say for me.

As being a horror story author, I have been working on why we are into horror themes of darkness, demonology, dreadful stories, unknown realms, mystical doctrines, death. Black metal has strong interests in these topics in its music and its image. What do you think? Why are you into if you think so? Is it something natural-born?
Image result for KHAOS-DEI logoP: These themes for some are dreamlike. While we, we live this daily. I do not feel close to another artist in my way of approaching these images that are totally part of my life. I think we were born with that in our hearts.

F: Strongly agree with Patrick, that’s exactly it.

What do you think about the future of black metal? Could you predict what kind of influences will be strong on black metal in ideology and technique? In terms of scene, will it be narrower by time after new trends or stabile with die-hard fan as ever as?

P: I think there’s something happening about black metal. The media are increasingly interested in it because they realized it was something other than all the shit we wanted to swallow. However I live in my own bubble and I have very little contact with the people who make this music. So it’s hard for me to answer. I do not know. We will continue to do what we want to do.

F: I totally forbid myself now, we make our way without worrying about others, and we are in our sphere.


Originally published on Filhakikat.net.